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His looks and his style are a mirror image of his father. Tabrez is however considered to be the closest to his father's style. They are very similar in style to Aziz Mian himself and like other sons of famous qawwals (Amjad Sabri for example, or Waheed and Naveed Chishti), they perform many of their father's hits. His son Shibli is not a qawwal but his successor in Sufism, While All Other Sons Have Followed Footsteps in Qawwali. And had nine sons Amir Khusro, Shibli, Junaid, Tabreiz, Imran, Naeem, Aslam and Farhan, etc. He is promoting and propagating these spiritual heritage of his father and have a quite a number of disciples (Mureeds) and followers.Īziz Mian had 12 children. The Urs (death anniversary) celebration are organized by Shibli Aziz Mian, who is more interested in mysticism and Sufi traditions. The Celebration terminates after the last ritual of 'Qul'. Around seven to eight qawal groups perform. The Urs celebrations continue for three days, starting with 'Ghusal' followed by 'Chadar Poshi' and 'Mehfil e Samaa' ( Urdu: Mehfil-e-Samaa) of Qawwali ('samaa' means the listening audience in Urdu and Arabic). His death anniversary ( Urs) is celebrated every year on the first Thursday of May, the Urs celebrations commence with the 'Ghusal' ceremony conducted by Mian Saheb's son Shibli Aziz and Rasm e Sandal of Baba Nadir Hussain famously known as 'Tootan Waali Sarkar' who is Peer O Murshid (Spiritual Master) of Aziz Mian. He is buried in Multan, on the brink of Nau Bahar Nehar. He was in Iran at the invitation of the Government of Iran, to perform on the occasion of Imam Ali's death anniversary. Death Īziz Mian died from complications of hepatitis in Tehran, Iran on 6 December 2000. In addition to his own poetry, Aziz Mian performed poetry by Allama Iqbal, and a number of contemporary Urdu poets, including Allama Iqbal, Qamar Jalalvi, Jigar Moradabadi, Tabish Kanpuri S M Sadiq, Saifuddin Saif and Qateel Shifai. He directly addressed Allah and complained about the misery of man (the greatest creation of the Almighty). He was fond of discussing religious and Sufi paradoxes in his qawwalis. He was known for a "more recitative, more dramatic diction" and was inclined toward qawwali's religious rather than entertainment qualities, though he also enjoyed success in more ashiqana sufi qawwalis. In the early days of his career, he was nicknamed Fauji Qawwal ( Urdu: فوجی قوال) (meaning "Military Qawwal") because most of his early stage-performances were in military barracks for the army personnel. He became a noted member of the qawwal community due to his unique and crisp voice. In addition to singing qawwalis, he was also an expert at singing ghazals. The Shah of Iran was so moved by his performance that he gave Aziz Mian a gold medal.įrom this moment on, Aziz Mian gained popularity and started releasing albums. However, his official ‘start' came in 1966, when he performed in front of the Shah of Iran Reza Shah Pahlavi. He first began performing at private gatherings. Aziz Mian was a contemporary, and often a competitor of Sabri Brothers Aziz Mian was the only prominent qawwal to write his own lyrics (though, like others, he also performed songs written by other poets).
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Career Īziz Mian was one of the non-traditional Pakistani Qawwals.
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He received sixteen years of training at the Data Ganj Baksh School of Lahore, and earned masters (M.A) degrees in Urdu literature, Arabic and Persian And B.A Degree English from the University of Punjab, Lahore. The word Meeruthi refers to Meerut, a city in northern India, from where he migrated to Pakistan in 1947.Īt the age of ten, he began learning Harmonium under the tutelage of Ustad Abdul Wahid Khan of Lahore. He began to introduce himself as Aziz Mian Meeruthi. The exclamation Mian, which he often used in his qawwalis, became part of his stage name.